My Art Blog

Techniques and Brushes Used to Paint a Floral Digital Watercolour

   

 It's been awhile since I painted a floral subject

 
I'm going to be working out the techniques and brushes to do this as I go along because it has been a long time since I've painted a flower. I decided to paint a pink anemone because I have painted them before and I like to compare results. It will be a nice change from all the snow and ice scenes I've been painting lately.
 

You can obtain my custom brushes by request

 
I'm sorry I don't have them available for download here, but you can obtain them by asking me to send them to you via email. Use the Contact Form in the Left Sidebar. In return for the favour; I ask that you please sign up for my Newsletter. You can do it at the same time. (I promise not to abuse your email address.) Newsletters are only sent every couple of months or if I had big news, or something that would benefit you to know, I'd probably send one!!
 

This is a Work in Progress

 

You can use this sketch if you want, or do your own.

 
  
Anemone Tutorial Sketch - Illustration 1
 
 
  •  Open a 10  x 10 inch 100 dpi document
  •  On a new layer do your sketch in pencil and lock the Sketch Layer. 
 
 
 
  • Colour Set - you can use another painting or a photo to obtain an appropriate colour set.
  •  Pick New Colour Set from Image, then custom size the palette.

 

Anemone Tutorial Illustration 2
 
  • On a new Gel Layer, paint the darkest value areas on the flower with a Pure Water Digital Watercolour (Or other small DWC variant)

 

 Anemone Tutorial Illustration 3

  • Using a small DWC variant (Pure Water or Pointed Simple Water) with 0% wet fringe, paint the pink petal with some slightly varied pink hues. Blend slightly with the Squeezed DWC Blender.

 

  • The image on the left is what this area will look like when it is lifted to a watercolour layer and wet slightly. You can see that the colours blend in a little bit and soften, so don't worry too much about blending the pinks. I did this as an illustration and haven't done  it to the painting in progress as yet.

 

  • You can also find the Wet Watercolour Layer Technique in the bottom left sidebar under Favourite Posts To paint the red stripes in the petals I used a custom Flat Grainy Stump Blender to pull the colour out in tiny lines. You can do something similar in traditional watercolour with the sharpened end of a brush or a teensy stick. The brush is easy to alter, change the Method to Digital Watercolour from Drip Method. This is a very useful brush to have on have on hand. Works best in small areas and can be jittered and diffused.
 
Anemone Tutorial Illustration 4
 
  • Painted a very pale pink glaze with Wet WC layer brush on this petal to darken the colour and add a watercolour
 
 
Anemone Tutorial Illustration 5
 

Using a Channel  

 
I used a Channel Selection to select the stamens, although it is the first time I was able to do it. I don't understand how to use them very well ... yet, or I would explain it here.  You'll have to check out Skip Allen's article in the December issue of Digital Paint Magazine to find out how to do it. My December article on How to Revise a Digital Waterscape and Skip's on Protecting Watercolour White Space With a Channel will be published very soon. You can sign up to receive your free issue of the magazine by using the link in my blogroll.  
 
  • Select the stamens with the Lasso Tool and paint inside Selection(s) with a fine tip DWC with a gold colour

 

Anemone Tutorial Illustration 6
 
  • Use a DWC Wash brush in pale pink to cover the rest of the petals. Keep this all on the same layer and label it.
  • Use the Squeezed DWC Blender to blend in the dark red to soften the edge

 

 

  Anemone Tutorial Illustration 7

  •  With a DWC Fine Tip Brush (deep pink) and a little bit of a redder pink in places as shown. paint the first part of the shadow of the petal. You will be blending it, so don't try to make it too smooth.
  • the light is coming from the top left

   

Anemone Tutorial Illustration 8

 
  • The DWC Pure Water brush was used to blend the shadows at the petal edges and to add and blend in more colour around the stamen area. The stamens are still protected by the Lasso Selection . You should still be painting outside the Selection as shown below on the bottom left of your document. 
     

 Anemone Tutorial Illustration 9 

 
 
 

 Anemone Tutorial Illustration 10 

  •  Continue using the DWC Pure Water Brush Resaturated to apply colour and unsaturated to blend the colour in. Use the two colours shown in the black rectangle. Make sure the edge is diffused between these two colours and make the outer bottom right edge a little darker still.
 
 
Anemone Tutorial Illustration 11
 
  • You can barely see it here, but there is just a suggestion of a fuzzy texture in the center
  • Use Wet WC Layer Brush, and change it to a Watercolour Airbrush
 
  
Anemone Tutorial Illustration 12 
 
  • I used a fairly dry Watercolour Bristle Spray brush with the Grain reduced to 0%  for the striations on the petals.
  • It's important to change the direction of your stroke and the wind force arrow, so that it follows the direction of the marks to be made on the petal. 
  • When using Wet Watercolour variants you will find that you have to use a very pale colour or it will be too dark. Changing the opacity of the stroke isn't enough to make sure it will be as pale as you want.
  • If you want this layer darker later, it is easy to increase the dye concentration of the marks already there, than make more.
 
 
 
Anemone Tutorial Illustration 13 
  • Shadows deepened a little with pink Pointed Simple Water. Some of the other layers have  been closed so you can see where I painted the shadow areas.
  • The shadows should maybe be a little darker. This can be adjusted with the  Brightness/Contrast Effect.
  • Dry the digital watercolour layer first and turn on the other layers so you can  see how much to darken
  • Move the Contrast slider to the left very slightly. Make sure you are darkening the correct layer as well.

 

Anemone Tutorial Illustration 14
 
  • Dry the digital watercolour layer first and turn on the other layers so you can  see how much to darken
  • Move the Contrast slider to the left very slightly. Make sure you are darkening the correct layer as well.

 

 
Anemone Tutorial Illustration 15
 
 
  •  Using  the Lasso Selection Tool, select the flower and click in the Paint Outside selection box on the bottom left of your document. Now you can paint the background without worrying about getting paint on your flower.
  • Using a WC Sponge Grainy Wet with the settings shown in the illustration will give you a textured light wash 
 
 
Anemone Tutorial Illustration 16 
 
  • Paint the background in different hues of green and pinkish gold. I used John Derry's Wet Blender and Wet Rough brush because I like the jaged edges of the dab. You could use a variety of brushes here if you don't have John's Watercolour Brushes.
  • Then drop the layers carefully one by one, changing the order and the opacity as needed.
  • Dry all the layers
  • Lift Canvas to Watercolour Layer and wet very slightly by choosing Wet Entire WC layer in the Layers menu.
  • Adjust the Brightness/Contrast
  • Apply a light WC texture if you so desire
  • Soften some of the edges of the flower with a Distortion Brush called Confusion set to Multi
The finished painting looks blurrier than it actually is at this resolution.
 

Hope you have enjoyed this tutorial! Don't forget you can email me for some of the Brushes used and/or if you have any questions or comments.


 

Comments

Marcia Fasy said:

Joan I would love to have your custom brushes. Fabulous tutorial.
Thanks!

Monday, December 20th

Graham H said:

Thank you Joan for a wonderful tutorial, very well written and a beautiful subject.

Tuesday, December 21st

glynda DeVore said:

love the tutorial. i would love to have the brushes.

thank you.

Tuesday, December 21st

Joan said:

Thanks Marcia and Glynda! Your brushes have been sent!

Wednesday, December 22nd

Well written. said:

Very nice to read your process. I actually like this one quite a bit. I am a big fan of visible texture in petals, and I feel this background is harmonious and beautiful.

Wednesday, May 2nd

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