My Art Blog

My new techniques for digital watercolour using Liquid Ink Brushes

I had the biggest ah hah! moment yesterday when in desperation and frustration I started playing around with the Liquid Ink Brushes in Corel Painter 11. I've been trying to make blobby loose wet brush marks for awhile to paint trees (for example). I have also tried different ways of making holes of light in the foliage. Wet into wet colour mixing has been tricky to figure out too. Let me show show a portion of a study I did yesterday. I didn't complete it as a painting.
 
 
 
 
When I bought Corel Painter recently some new brushes came on a separate CD as extra's. Some of them are really useful and fun, and some were just 'too much.' I used some Splatter brushes in the Liquid Ink category to make green blobs and splatters in various greens and rusty autumnal colours. Then I used the Sparse Bristle Resist to roughly and randomly shape the blobs. When I first tried these brushes long ago in Painter 9 I didn't get the purpose of them. They seemed too difficult to control, and now I realize therein lies their beauty.
Just like you don't know exactly what brushmark you will get from certain brush techniques in traditional watercolours, you don't know exactly what will happen to the Liquid Ink marks you make.
 
The following illustration shows an example of the progression of change for three similar strokes. All the Liquid Ink Layers are labelled 1 in this because I duplicated the layer each time to show this.
 
 
 These are the steps I used:
 
  • (1)Liquid Ink layer 1 - 3 splatters with same Splatter Brush with similar dabbing action. (from Extra's brushes with Painter 11)
  • (2)Duplicated this layer, then used the Small Camel Resist in a similar stroke on all three dabs, and a similar Smooth Flat stroke on all 3.
  • (3)Duplicated the layer, then added a different color to each dab with Sparse Camel the used Soften Colour to blend it in.
 So, as you can see there is some cool random wet blobby stuff going on. These blobs will only be part of the total image. There are close to 60 variations of these brushes in the Liquid Ink Brush category, so that's a seemingly endless number of variables possible.
 
In the tree study (1st illustration) some of the other brushes I used to achieve this look were:
 
  • Digital watercolour brushes: Simple Water, Simple Blender, Gentle Wet Eraser, Fine Tip Water

 

  • Watercolour Airbrushes: made by choosing wet in General Brush commands. This takes some practice and a lots of adjusting to get a fine spray that isn't too dark. You can also spray only inside a selection. (That's how I did most of the leaves in Charlton Lake Picnic Island. It's kind of like Masking Fluid in reverse.) I saw a watercolour demonstration video yesterday of an artist using these neat little spray bottles that sprayed drops. He even had them filled with different colours. So, now I don't feel guilty about using watercolour and dry airbrushes. He made good use of a tissue as well, which is analgous to Gentle Wet Eraser, or using a Glow brush to remove some of the saturation of colour. Even dropping the layers to canvas and using different blenders is comparable to other traditional watercolour techniques such as Fading Out, Softening Edges with a wet brush.

 

  • Distortion Brushes: I used the Shower Door 1 from the Effects Brushes (one of the Extra's) to make some of the edges more jagged. Probably used the Diffuser and a Wet Confusion Brush a bit too, to soften edges and blend wet into wet colours. 
 I have a lot of experimenting and practicing to do to get control of these new techniques, as well as learning all the other things I need to learn about composition, lighting...and so on! 
 
 

Comments

Dan said:

Testing out comments.

Tuesday, February 2nd

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